Published inCameraluxShooting yourselfWhen photography becomes a passion, sooner or later you’re going to turn the camera on yourself.Mar 62Mar 62
Published inCameraluxThe power of words and photographsThe interplay between text and image is complex and potentially powerful, and so easy to get wrong.Feb 237Feb 237
Used judiciously, combinations of images like this can call on the dialectic power of synthesis…Feb 221Feb 221
Published inEngageA Night Flight to RememberFlying a tired Cessna in a deep Florida night presented an unreasonable string of challenges. But it helped me overcome personal obstacles.Feb 179Feb 179
Published inCameraluxHow many photographs is too many?The internet is awash with images. But are we really getting the full benefit, or are we at risk of drowning?Feb 1214Feb 1214
Published inCameraluxPhotography’s relationship with reality — it’s complicatedA photograph is commonly viewed as a slice of reality — as the world imprinting itself. It’s really not that simple.Feb 89Feb 89
Published inCameraluxLow-res digital photography–the new analogue?There are many ways of feeling old. It turns out that one of them is seeing digital cameras being described as ‘vintage’.Feb 63Feb 63
Published inHumanAIDeepSeek’s Winnie-the-Pooh ProblemDeepSeek might be causing massive waves in the AI world, and not necessarily for the right reasons, but it seems to have some blind spots.Feb 111Feb 111
Published inCameraluxPhotographing imaginary monuments in the landscapeIn landscape photography, the significance of the scene owes as much to your imagination as it does to the subject itself.Jan 226Jan 226
Published inCameraluxA story in a single photographIt is possible to evoke a narrative with just one frame — if you engage with the viewer’s imagination.Jan 1312Jan 1312