PinnedInCameraluxbySteve Mansfield-Devine·Aug 5, 2025Are you a photographer? Really?In an age of almost pathological image-making, what distinguishes the real photographer?A response icon19A response icon19
PinnedInCameraluxbySteve Mansfield-Devine·Aug 9, 2025The photograph that got me arrestedA response icon10A response icon10
PinnedInCameraluxbySteve Mansfield-Devine·Nov 4, 2025Privacy vs Expression: the ill-defined ethics of street photographyIt’s a popular hashtag and a long-established practice, but do street photographers always think through what they’re doing?A response icon16A response icon16
InCameraluxbySteve Mansfield-Devine·May 19Embracing bit rot in digital photographsA response icon5A response icon5
InCameraluxbySteve Mansfield-Devine·Apr 17Green is a difficult colour in photographsOf all the colours of the visible spectrum, green is arguably the most abused, abusive and difficult to manage.A response icon5A response icon5
InCameraluxbySteve Mansfield-Devine·Jan 15A licence to shoot people? Photographing street protestsThere are times when people take to the streets in order to be seen and have their presence registered. What permissions does this grant…A response icon9A response icon9
InCameraluxbySteve Mansfield-Devine·Jan 7Creation and revelation: the fundamental powers of photographyWhat differentiates photography from other visual arts? One answer could lie in its intrinsic ability to reveal what you might not…A response icon2A response icon2
InCameraluxbySteve Mansfield-Devine·Dec 17, 2025Are we losing our photographic literacy?From an early age we learn to ‘read’ photographs. But the process is built on trust, and that could be eroding.A response icon3A response icon3
InCameraluxbySteve Mansfield-Devine·Nov 27, 2025The four dimensions of the photographA response icon6A response icon6